An independent animation studio with a published fantasy saga, a five-property original universe built to grow up with its audience, and a restoration pipeline that brings classic animation back to today's screens.
3 novels in print · 5 connected properties · 1 founder-built mythology
A studio built on two loves: the Saturday-morning classics that raised us, and the original stories still waiting to be told.
The Ravenwood Universe — five connected properties on an audience ladder that runs from family storytime to adult fantasy.
Remastering and modernization for networks, platforms, rights holders, and archives — classic content, made broadcast-ready again.
Bringing beloved animation back to new screens and new generations — announcements to come.
The stories that shaped a generation deserve a studio that can carry them forward.
Quest Kids is our own destination for family animation — a bright, wonder-first channel built the way Saturday mornings used to feel. It's the family gateway to the Ravenwood Universe: the home of Old Garrick's Fireside Fables and the warm village years of Elderwood as they come to screen.
Launching soon · Made for families · Safe by design
A full remastering and modernization pipeline for networks, FAST operators, rights holders, and archives — the same craft we bring to our own productions.
AI-assisted upscaling with manual polish, artifact cleanup, and scene matching.
Dropout and noise correction, stabilization, color recovery, archival masters.
Broadcast-legal QC, FCC and streaming captions, multi-language subtitles.
ProRes, DNxHR, H.265, and IMF — OTT-, FAST-, and broadcast-ready.
When the sun goes down, the real story begins: a founder-created, wholly-owned story universe — from family firesides to adult gothic horror.
Five connected properties form an audience ladder — each rung darker than the last. Viewers don't age out of the universe. They age up inside it.
A live-action and animation anthology — Old Garrick tells tales by the fire. The first original into production.
Four warm seasons of Thorin's village years — ending the very night the film begins.
The planned feature film — Book I of the saga, adapted for the screen.
The action saga continues beyond the film, drawn from Books II–VI.
Adult gothic horror under a separate banner — Thorin's twin daughters against the Sundered God.
From storytime to adult fantasy — one mythology, climbing with you.
Development footage from the Ravenwood Universe, spanning Thorin Ravenwood's life from childhood through the trials of the Stormweaver Saga. The reel demonstrates a deliberate range of animation styles — 2D through photoreal — reflecting the distinct visual languages of Quest Kids and Quest Fantasy.
Presented with production audio; final score and mix are part of the finishing process.
Thorin & Stormfang — painterly study
"A decade of adaptable source material — already written, already mapped."
Three novels in print — the source material behind the film and series slate. Book IV, Throne of Ash and Storm, is 95% complete, and the saga is mapped through Book X.
Book IVThrone of Ash and Storm · Coming soonFirst chapter coming soon
"The way the Blood of Ancient Kings actually manifests as power is such a cool concept — it's not just a title, it's a burden."
RM Guerra · Book I
"Both timeless and incredibly fresh… a phenomenal entry into the Stormweaver universe."
Melinda Faye Conner · Book I
"Bigger, darker, and more emotional than the first book… cold landscapes, ancient forces, and a constant sense that something powerful is awakening."
Cesar · Book II
"Deeper world-building, higher stakes, and that perfect mix of magic and Highland grit. Read it in two days."
Franck Belibi · Book II
Character codex cards from the Stormweaver production bible — Thorin Ravenwood, Stormfang, Eilidh, and the Company, with art and lore development already done. Drag, scroll, or use the arrows to meet them.
One AI-human hybrid pipeline powers both worlds — Saturday-morning fun and Ravenwood dark alike — with human leads holding quality at every gate.
A writers' room supported by AI drafting and localization compresses pre-production.
Custom-trained style models keep every frame on-model; artists refine, AI iterates.
Hybrid generation plus human polish collapses animation cycles.
Human creative authorship is documented at every stage — registrations, logs, chain of title.
"The goal isn't replacing artists — it's amplifying them."
A phased studio build-out in the Alleghany Highlands — production floor, voice booth, and remastering infrastructure under one roof.
Virginia's production incentive programs and motion picture funds make it one of the smartest places in America to build an animation studio.
A creative-economy anchor for a historic railroad town — training and hiring local talent as the studio grows.
Artist first. Studied Fine/Studio Arts at Columbus College of Art & Design, where he served as a Disney Animation intern working alongside the artists creating The Lion King.
Technology gave it back. After a career-ending injury closed his illustration career, he spent 17+ years in broadcast and media technology, including building AI captioning systems.
Operator. Founder and CEO of IMN/SimulTV, built to a negotiated $30M acquisition agreement; later President of Mojo Media.
Author. Published fantasy author — three novels of the Stormweaver Saga in print, and creator of the Ravenwood Universe.
"Every studio starts as two kids drawing."
An operator and a world-builder — business execution and creative vision under one roof.
C-level executive focused on growth, digital transformation, and enterprise strategy across entertainment, healthcare, financial services, and emerging technologies. Joe's specialty is translating strategy into measurable business outcomes — accelerating time-to-value, scaling operations, and aligning business and technology for sustainable performance.
Media executive, artist, and author with 15+ years building platforms across IPTV, OTT, FAST, and broadcast — founder of SimulTV, grown from a $4M raise to a negotiated $30M acquisition agreement, and later President of Mojo Media's 27 owned-and-operated networks. His IP portfolio spans 25+ trademarks and 7+ patents in AI-driven media technology. A CCAD-trained artist who interned with Disney Animation on The Lion King, he is the author of the Stormweaver Saga and architect of the Ravenwood Universe.